Introduction

Trees

Executed on the spot in black chalk with just a few touches of gray wash, this magnificent drawing is one of the largest and most impressive of Claude’s numerous studies of trees. Rather than a detailed depiction of branches, it is the very essence of the tree as a living organism that Claude seeks to convey, from its invisible yet palpable roots up to its slenderest tendrils. Remarkable for its decorative effect, this drawing provides another example of Claude’s attentiveness to the composition of his studies from life. These large trees became a familiar motif from the mid 1640s onward.
Claude Gellée, known as Claude Lorrain (1600 or 1604/05 – 1682)
circa 1655-60
Black chalk, gray wash – H. 36 cm; W. 40.9 cm – Teylers Museum, Haarlem, inv. L 45 – Acquired by the Teyler Foundation in 1790
© Haarlem, Teylers Museum